In this painting I’ve been trying to resolve for myself some interesting problems linked with colors, general composition adjustments and the source of light. While sketching, I let my hand and the pencil to “dance” around the general shapes. Then I combined gradually complementary orange with green coming down with  more intense red and payne’s gray. For the sky and first wash I used cerulean blue and yellow with a little bit red and gray. The main light source is the white paper, some parts left completely untouched.